Crown and Bridge Technique

Universal, classical and hard casting wax for modelling with best flowing and carving properties. Featuring an opaque and strong colouring.

Universal medium-hard modelling wax with improved breakage stability, for all the procedures of casting technique. Low contraction, high surface density.

Neutral coloured, hard modelling wax. Featuring an improved composition. Organic, therefore it is suitable for press- or all-ceramics.

Neutral coloured, hard modelling wax. Featuring an improved composition. Inorganic, therefore the wax is opaque when it is in liquid state.

Soft cervical- and underlay wax for the forming of cervical margins of crowns, onlays and inlays. Featuring an ideal contraction. Ductile. Malleable.

Extra soft special wax for the forming of cervical margins of crowns, onlays and inlays. Featuring an ideal contraction. Ductile. Malleable.

Underlay wax for S-U-INLAY-WAX, grey hard. Organic, ideal contraction. Translucent when in liquid state. Preparation margins are well perceptible.

Hard inlay wax for the chewing surface design. Organic, burns without leaving any residues.

Ideal wax for the modelling of inlays, onlays and three quarter crowns. Does not lift off. Summer and winter waxes.

Secondary waxes for telescope crowns, precision attachments and individual attachments. Summer and winter waxes.

Hard milling wax, featuring very good cutting and carving properties. Suitable for the use with electrically heated instruments or rotating instruments.

Extremely hard milling wax, acryllic-like. Its extreme surface density achieves excellent splinter removal when working with rotating instruments.

Very brittle sticky wax for the border of functional ridges. To connect before soldering. Prevents the distortion of individual parts. Cannot be modelled.

Suitable for a special waxing up technique, with a high surface density, low contraction, improved flowing and carving properties. Burns without residues.

Suitable for a special waxing up technique, with a high surface density, low contraction, improved flowing and carving properties. Burns without residues.

Suitable for a special waxing up technique, with a high surface density, low contraction, improved flowing and carving properties. Burns without residues.

For a special waxing up technique, with a high surface density, low contraction, improved flowing and carving properties. Inorganic, not for press-ceramics

For a special waxing up technique, with a high surface density, low contraction, improved flowing and carving properties. Inorganic, not for press-ceramics

For a special waxing up technique, with a high surface density, low contraction, improved flowing and carving properties. Inorganic, not for press-ceramics

Organic modelling wax from the „Pink Line“ series. Ideal flowing and carving properties. Minimal contraction. Burns without residues.

Inorganic opaque modelling wax from the „Pink Line“ series. Ideal flowing and carving properties. Minimal contraction. Not suitable for press ceramics.

Soft cervical- and underlay wax for the forming of cervical margins of crowns, onlays and inlays. From the „Pink Line“ series. Ideal contraction. Ductile.

Elastic special wax for the forming of cervical margins of crowns, onlays and inlays. Featuring an ideal contraction. Ductile. Malleable.

Wax for the use of quick blocking-out of cavities in plaster dies. Due to its high melting point, it does not merge with corresponding wax.